Study No. 20
Study No. 20 a song by Charles Ives on
Archodia Music
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Three-Page Sonata: I. Allegro Moderato
by
Charles Ives
,
Donald Berman
,
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Three-Page Sonata: II. Andante
by
Charles Ives
,
Donald Berman
,
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Three-Page Sonata: III. Allegro - March Time
by
Charles Ives
,
Donald Berman
,
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Study No. 6
by
Charles Ives
,
Donald Berman
,
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Study No. 7
by
Charles Ives
,
Donald Berman
,
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Study No. 8
by
Charles Ives
,
Donald Berman
,
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Study No. 9 ("The Anti-Abolitionist Riots")
by
Charles Ives
,
Donald Berman
,
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Study No. 15
by
Charles Ives
,
Donald Berman
,
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Study No. 16 / 19
by
Charles Ives
,
Donald Berman
,
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Study No. 23
by
Charles Ives
,
Donald Berman
,
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Set of Five Take-Offs: I. The Seen and Unseen or Sweet and Tough
by
Charles Ives
,
Donald Berman
,
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Set of Five Take-Offs: II. Rough and Ready or The Jumping Frog
by
Charles Ives
,
Donald Berman
,
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Set of Five Take-Offs: III. Song Without (good) Words
by
Charles Ives
,
Donald Berman
,
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Set of Five Take-Offs: IV. Scene Episode
by
Charles Ives
,
Donald Berman
,
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Set of Five Take-Offs: V. Bad Resolutions and Good One
by
Charles Ives
,
Donald Berman
,
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Study No. 20
by
Charles Ives
,
Donald Berman
,
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Study No. 22
by
Charles Ives
,
Donald Berman
,
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Study No. 21 ("Some South-Paw Pitching")
by
Charles Ives
,
Donald Berman
,
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Evocations, Four Chants for Piano: I. Largo (To Harriette Miller)
by
Carl Ruggles
,
Donald Berman
,
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Evocations, Four Chants for Piano: II. Andante con fantasia (To John Kirkpatrick)
by
Carl Ruggles
,
Donald Berman
,
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Evocations, Four Chants for Piano: III. Moderato appasionato (To Charlotte Ruggles)
by
Carl Ruggles
,
Donald Berman
,
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Evocations, Four Chants for Piano: IV. Adagio Sostenuto (To Charles Ives)
by
Carl Ruggles
,
Donald Berman
,