Suite For Cello No. 1, Op. 72: Canto primo (sostenuto e largamente)

Name: Suite For Cello No. 1, Op. 72: Canto primo (sostenuto e largamente)
Description: Suite For Cello No. 1, Op. 72: Canto primo (sostenuto e largamente) a song by Benjamin Britten on Archodia Music

Suite For Cello No. 1, Op. 72: Canto primo (sostenuto e largamente) a song by Benjamin Britten on Archodia Music

Suite In G, Op. 131c, No. 1 (1915): 1. Präludium: Vivace by Max Reger , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: Canto primo (sostenuto e largamente) by Benjamin Britten , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: 1. Fuga: Andante moderato by Benjamin Britten , Matt Haimovitz ,
Suite In G, Op. 131c, No. 1 (1915): 2. Adagio by Max Reger , Matt Haimovitz ,
Suite In G, Op. 131c, No. 1 (1915): 3. Fuge: Allegro by Max Reger , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: 2. Lamento: Lento rubato by Benjamin Britten , Matt Haimovitz ,
Sonata For Solo Cello Op. 25, No. 3: 1. Lebhaft, sehr markiert by Paul Hindemith , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: Canto secondo (Sostenuto) by Benjamin Britten , Matt Haimovitz ,
Sonata For Solo Cello Op. 25, No. 3: 2. Mässig schnell, gemächlich by Paul Hindemith , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: 3.Serenata: Allegretto (pizzicato) by Benjamin Britten , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: 4. Marcia: Alla marcia moderato by Benjamin Britten , Matt Haimovitz ,
Sonata For Solo Cello Op. 25, No. 3: 3. Langsam by Paul Hindemith , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: Canto terzo (Sostenuto) by Benjamin Britten , Matt Haimovitz ,
Sonata For Solo Cello Op. 25, No. 3: 4. Lebhafte Viertel by Paul Hindemith , Matt Haimovitz ,
Sonata For Solo Cello Op. 25, No. 3: 5. Mässig schnell by Paul Hindemith , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: 5. Bordone: Moderato quasi recitativo by Benjamin Britten , Matt Haimovitz ,
Suite For Cello No. 1, Op. 72: 6. Moto perpetuo e canto quarto: Presto by Benjamin Britten , Matt Haimovitz ,
Synchronisms No. 3 For Cello And Electronic Sound by Mario Davidovksy , Matt Haimovitz ,
Sonata (1955): 1. Fantasia: Andante espressivo e con molto rubato by George Crumb , Matt Haimovitz ,
Suite For Cello No. 2, Op. 80: Declamato: Largo by Benjamin Britten , Matt Haimovitz ,
Sonata (1955): 2. Tema pastorale con variazioni - Tema: Grazioso e delicato - Var. I: Un poco più animato - Var. II: Allegro possibile e sempre pizzicato - Var. III: Poco adagio e molto espre by George Crumb , Matt Haimovitz ,
Suite For Cello No. 2, Op. 80: Fuga: Andante by Benjamin Britten , Matt Haimovitz ,
Suite For Cello No. 2, Op. 80: Scherzo: Allegro molto by Benjamin Britten , Matt Haimovitz ,
Sonata (1955): 3. Toccata: Largo e drammatico - Allegro vivace by George Crumb , Matt Haimovitz ,
Suite For Cello No. 2, Op. 80: Andante lento by Benjamin Britten , Matt Haimovitz ,
Three Little Pieces For Cello And Piano, Op. 11 (1914): 1. Mässige Achtel by Anton Webern , Matt Haimovitz , Philippe Cassard ,
Three Little Pieces For Cello And Piano, Op. 11 (1914): 2. Sehr bewegt by Anton Webern , Matt Haimovitz , Philippe Cassard ,
Suite For Cello No. 2, Op. 80: Ciaconna: Allegro by Benjamin Britten , Matt Haimovitz ,
Six Pieces For Violincello (1966): 1. Prelude. Allegro energico by Roger Sessions , Matt Haimovitz ,
Three Little Pieces For Cello And Piano, Op. 11 (1914): 3. Äusserst ruhig by Anton Webern , Matt Haimovitz , Philippe Cassard ,
Six Pieces For Violincello (1966): 2. Dialogue: Andante by Roger Sessions , Matt Haimovitz ,
3 Strophes sur le nom de Sacher pour violoncelle solo: 1. Un poco indeciso by Henri Dutilleux , Matt Haimovitz ,
3 Strophes sur le nom de Sacher pour violoncelle solo: 2. Andante sostenuto by Henri Dutilleux , Matt Haimovitz ,
Six Pieces For Violincello (1966): 3. Scherzo: Allegro by Roger Sessions , Matt Haimovitz ,
Six Pieces For Violincello (1966): 4. Berceuse: Lento e dolce by Roger Sessions , Matt Haimovitz ,
3 Strophes sur le nom de Sacher pour violoncelle solo: 3. Vivace by Henri Dutilleux , Matt Haimovitz ,
Six Pieces For Violincello (1966): 5. Fantasy: Con fantasia by Roger Sessions , Matt Haimovitz ,
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) by Claude Debussy , Matt Haimovitz , Philippe Cassard ,
Six Pieces For Violincello (1966): 6. Epilogue: Adagio molto by Roger Sessions , Matt Haimovitz ,
Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé) by Claude Debussy , Matt Haimovitz , Philippe Cassard ,
Suite For Solo Cello (1994): Preludio: Andante, rubato by John Harbison , Matt Haimovitz ,
Sonata in D Minor for Cello & Piano, L.135: 3. Finale (Animé) by Claude Debussy , Matt Haimovitz , Philippe Cassard ,
Suite For Solo Cello (1994): 2. Fuga -Burletta by John Harbison , Matt Haimovitz ,
Tema "Sacher" For Cello Solo Lento maestoso - Largament by Benjamin Britten , Matt Haimovitz ,
Suite For Solo Cello (1994): 3. Sarabanda by John Harbison , Matt Haimovitz ,
Sonata In C For Cello And Piano Op. 65: 1. Dialogo by Benjamin Britten , Matt Haimovitz , Philippe Cassard ,
Sonata In C For Cello And Piano Op. 65: 2. Scherzo - pizzicato by Benjamin Britten , Matt Haimovitz , Philippe Cassard ,
Sonata In C For Cello And Piano Op. 65: 3. Elegia by Benjamin Britten , Matt Haimovitz , Philippe Cassard ,
Sonata In C For Cello And Piano Op. 65: 4. Marcia by Benjamin Britten , Matt Haimovitz , Philippe Cassard ,
Sonata In C For Cello And Piano Op. 65: 5. Moto perpetuo by Benjamin Britten , Matt Haimovitz , Philippe Cassard ,