Roy Ascott
Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetics by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott has been a practitioner of interactive computer art, electronic art, cybernetic art and telematic art.
Ascott exhibits internationally (including the Biennales of Venice and Shanghai), and is collected by Tate Britain and Arts Council England. He is recognised by Ars Electronica as the "visionary pioneer of media art", and widely seen as a radical innovator in arts education and research, having occupied leading academic roles in England, Europe, North America, and China, and is currently leading his Technoetic Arts studio in Shanghai, and directing the Planetary Collegium. In 2018, he became the subject of Cybernetics & Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cybersemiotics entitled "A Tribute to the Messenger Shaman: Roy Ascott". Dr. Kate Sloan's comprehensive study of his early work "Art Cybernetics and Pedagogy in Post-War Britain: Roy Ascott's Groundcourse" was published by Routledge in 2019.In 2025 Ascott was the subject of a comprehensive interview at Artforum that was conducted by Hans-Ulrich Obrist.
Ascott is the President of the Planetary Collegium, Professor of Technoetic Arts Plymouth University, and the De Tao Master of Technoetic Arts at the De Tao Masters Academy in Shanghai. He is also Chief Specialist of the Visual Art Innovation Institute at the Central Academy of Fine Arts in Beijing. He is the founding editor of the research journal Technoetic Arts, an honorary editor of Leonardo Journal, and author of the book Telematic Embrace: Visionary Theories of Art, Technology and Consciousness, University of California Press.
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