Micrologus

The Micrologus is a treatise on Medieval music written by Guido of Arezzo, dating to approximately 1026. It was dedicated to Tedald, Bishop of Arezzo. This treatise outlines singing and teaching practice for Gregorian chant, and has considerable discussion of the composition of polyphonic music. This treatise discusses modified parallel organum as well as free organum. The examples given are in two voices, set note-against-note, and the voices are frequently permitted to cross. He advised against use of the perfect fifth and minor second, favouring instead the major second and perfect fourth (though thirds were also permitted). One point of importance is his guideline for the occursus (meaning "meeting" or "concurrence", running on the same path), which is a predecessor of the later cadence. An occursus occurs where two voices approach a unison. He suggested that the unison should be approached either by contrary motion from a major third, or oblique motion from a major second.

Italia mia (Live, Vienna, 2005 - Early Music Log) - 2026-03-06T00:00:00.000000Z

Devotion - 2014-03-24T00:00:00.000000Z

Aragón en Nápoles - 2006-05-05T00:00:00.000000Z

Napoli aragonese - 2001-01-01T00:00:00.000000Z

Cantico della terra - 1999-01-01T00:00:00.000000Z

Napolitane (Villanelle, Arie, Moresche) - 1998-01-01T00:00:00.000000Z

Madre de Deus, Cantigas de Santa Maria - 1998-01-01T00:00:00.000000Z

O Yesu Dolce: Laudi italiane del quattrocento - 1997-01-01T00:00:00.000000Z

Abondance: Nouveautés, automne 1998 - 1997-01-01T00:00:00.000000Z

No Limits! L'envol - 1996-01-01T00:00:00.000000Z

D'amor cantando - 1995-01-01T00:00:00.000000Z

Landini e la musica Fiorentina - 1994-01-01T00:00:00.000000Z

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