Atlantis
Atlantis (Ancient Greek: Ἀτλαντὶς νῆσος, romanized: Atlantìs nêsos, lit. 'island of Atlas') is a fictional island mentioned in Plato's works Timaeus and Critias as part of an allegory on the hubris of nations. In the story, Atlantis is described as a naval empire that had conquered Europe as far as central Italy, and the African coast as far as Egypt, making it the literary counter-image of the Achaemenid Empire. After an ill-fated attempt to conquer "Ancient Athens", Atlantis falls out of favor with the deities and submerges into the Atlantic Ocean. Since Plato describes Athens as resembling his ideal state in the Republic, the Atlantis story is meant to bear witness to the superiority of his concept of a state.
Despite its minor importance in Plato's work, the Atlantis story has had a considerable impact on literature. The allegorical aspect of Atlantis was taken up in utopian works of several Renaissance writers, such as Francis Bacon's New Atlantis and Thomas More's Utopia. On the other hand, nineteenth-century amateur scholars misinterpreted Plato's narrative as historical tradition, most famously Ignatius L. Donnelly in his Atlantis: The Antediluvian World. Plato's vague indications of the time of the events (more than 9,000 years before his time) and the alleged location of Atlantis ("beyond the Pillars of Hercules") gave rise to much pseudoscientific speculation. As a consequence, Atlantis has become a byword for any and all supposed advanced prehistoric lost civilizations and continues to inspire contemporary fiction, from comic books to films.
While present-day philologists and classicists agree on the story's fictional nature, there is still debate on what served as its inspiration. Plato is known to have freely borrowed some of his allegories and metaphors from older traditions, as he did with the story of Gyges. This led a number of scholars to suggest possible inspiration of Atlantis from Egyptian records of the Thera eruption, the Sea Peoples invasion, or the Trojan War. Others have rejected this chain of tradition as implausible and insist that Plato created an entirely fictional account, drawing loose inspiration from contemporary events such as the failed Athenian invasion of Sicily in 415–413 BC or the destruction of Helike in 373 BC.
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