Partch, H.: Enclosure 5

"Partch, H.: Enclosure 5 album by Harry Partch on Archodia Music"

Release Date: 1998-01-01T00:00:00.000000Z

  • The Bewitched: Prologue
  • Ulysses Departs from the Edge of the World (Arr. J. Logan)
  • King Oedipus, Tiresias Scene (continued)
  • King Oedipus: Second Chorus
  • The Bewitched, Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall
  • Revelations in the Courthouse Park: Chorus 1
  • Revelations in the Courthouse Park: Chorus 3, in part
  • The Bewitched, Scene 2: Background for the Permutation of Excercises in Harmony and Counterpoint
  • King Oedipus, Creon Scene
  • The Bewitched, Scene 3: Background for the Inspired Romancing of Pathological Liar
  • Revelations in the Courthouse Park, Scene 1, Hymn to Dionysus: Holy Joy and Get Religion
  • King Oedipus, Jocasta Scene
  • King Oedipus: Incidental Music
  • The Bewitched, Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music
  • Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: What thE Majority Believes
  • Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: Glory to the Male Womb
  • King Oedipus: Third Chorus
  • The Bewitched, Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room
  • The Bewitched, Scene 6: Background for the Euphoria on a Sausalito Stairway
  • King Oedipus, Messenger Scene
  • Revelations in the Courthouse Park, Scene 3: Chorus 4
  • King Oedipus: Fourth Chorus
  • The Bewitched, Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit
  • Revelations in the Courthouse Park, Scene 4: Coda
  • King Oedipus, Herdsman Scene
  • The Bewitched, Scene 8: Background for the Apotheosis of a Court in its Own Contempt
  • Introduction to King Oedipus
  • King Oedipus, Oedipus Scene
  • The Bewitched, Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise
  • King Oedipus: Introduction
  • King Oedipus: Fifth Chorus
  • King Oedipus, Opening Scene
  • The Bewitched, Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
  • King Oedipus: Instrumental Commentary
  • King Oedipus: First Chorus
  • The Bewitched: Epilogue
  • King Oedipus: Antiphony
  • King Oedipus, Tiresias Scene (beginning)
  • King Oedipus: Exit Oedipus - Pantomime
  • King Oedipus: Final Chorus and Coda
  • Partita in G Major: Menuet
  • Come Away, Death
  • December, 1942: No. 1, Come Away, Death
  • By the Rivers of Babylon
  • Introduction to the Bewitched