Eternal Clara

"Eternal Clara album by Clara Schumann on Archodia Music"

Release Date: 2025-11-28T00:00:00.000000Z

  • Piano Concerto in A Minor, Op. 7: Allegro maestoso
  • 3 Romances, Op. 11: I. Andante
  • “Ich Stand in Dunkeln Träumen” (Heine)
  • 3 Romances, Op. 21: No. 1 in a Minor
  • 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)
  • “Liebst Du Um Schönheit” (Rückert)
  • Soirées musicales, Op. 6: I. Toccatina
  • 3 Romances, Op. 11: II. Andante
  • 3 Romances, Op. 21: No. 2 in F Major
  • Sie liebten sich beide
  • 3 Preludes and Fugues, Op. 16: No. 2, Prelude and Fugue in B-Flat Major
  • Piano Concerto in A Minor, Op. 7: Romanze. Andante non troppo con grazia
  • 3 Romances, Op. 21: No. 3 in G Minor
  • Piano Concerto in A Minor, Op. 7: Finale. Allegro non troppo - Allegro molto
  • 3 Romances, Op. 11: III. Moderato
  • Soirées musicales, Op. 6: II. Notturno
  • “Warum Willst Du And’re Fragen?” (Rückert)
  • Soirées musicales, Op. 6: III. Mazurka
  • “Lorelei” (Heine)
  • Piano Concerto in a Minor, Op. 7: Allegro Maestoso
  • Der Mond kommt still gegangen
  • Piano Trio in G Minor, Op. 17: Allegro moderato
  • Piano Sonata in G Minor: I. Allegro
  • Soirées musicales, Op. 6: IV. Ballade
  • “Am Strande” (Geibel)
  • Piano Concerto in a Minor, Op. 7: Romanze. Andante Non Troppo con Grazia
  • Piano Sonata in G Minor: II. Adagio: Con espressione e ben legato
  • Piano Trio in G Minor, Op. 17: Scherzo. Tempo di Menuetto
  • Piano Concerto in a Minor, Op. 7: Finale. Allegro Non Troppo - Allegro Molto
  • “Sie Liebten Sich Beide” (Heine)
  • Piano Sonata in G Minor: III. Scherzo and Trio
  • Piano Trio in G Minor, Op. 17: III. Andante
  • Die stille Lotosblume
  • Soirées musicales, Op. 6: V. Mazurka
  • “Er Ist Gekommen in Sturm Und Regen” (Rückert)
  • Soirées musicales, Op. 6: VI. Polonaise
  • Piano Trio in G Minor, Op. 17: Allegretto
  • Piano Trio in G Minor, Op. 17: Allegro Moderato
  • An einem lichten Morgen
  • Soirees musicales, Op. 6: I. Toccatina
  • Piano Trio in G Minor, Op. 17: Scherzo. Tempo Di Menuetto
  • “Volkslied”
  • Scherzo in D Minor, Op. 10
  • Soirees musicales, Op. 6: II. Notturno
  • Piano Trio in G Minor, Op. 17: III. Andante
  • “Die Stille Lotosblume” (Geibel)
  • Soirees musicales, Op. 6: III. Mazurka
  • “An Einem Lichten Morgen”
  • Am Strande
  • Piano Trio in G Minor, Op. 17: Allegretto
  • 3 Romances, Op. 11: I. Andante
  • “O Lust, O Lust” (Hauffen)
  • Soirees musicales, Op. 6: IV. Ballade
  • 3 Romances, Op. 11: II. Andante
  • O Lust, o Lust
  • Variations on a Theme by Robert Schumann, Op. 20
  • Soirees musicales, Op. 6: V. Mazurka
  • Variations on a theme by Robert Schumann, Op. 20
  • “Der Abendstern”
  • 3 Romances, Op. 11: III. Moderato
  • Soirees musicales, Op. 6: VI. Polonaise
  • Piano Concerto in a Minor, Op. 7 – Finale. Allegro Non Troppo - Allegro Molto
  • Piano Sonata in G Minor: I. Allegro
  • Lorelei
  • Piano Concerto in a Minor, Op. 7 – Romanze. Andante Non Troppo con Grazia
  • Piano Sonata in G Minor: II. Adagio: con Espressione E Ben Legato
  • Piano Concerto in a Minor, Op. 7 – Allegro Maestoso
  • Piano Sonata in G Minor: III. Scherzo and Trio
  • “Geheimes Flüstern Hier Und Dort”
  • Soirees Musicales, Op. 6: I. Toccatina
  • “Der Mond Kommt Still Gegangen” (Geibel)
  • Soirees Musicales, Op. 6: II. Notturno
  • Soirees Musicales, Op. 6: III. Mazurka
  • Soirées Musicales, Op. 6 – I. Toccatina
  • 4 Pièces caractéristiques: No. 4, Scene Fantastique: Le Ballet des Revenants
  • Soirées Musicales, Op. 6 – II. Notturno
  • Volkslied
  • Soirees Musicales, Op. 6: IV. Ballade
  • Soirées Musicales, Op. 6 – III. Mazurka
  • Soirees Musicales, Op. 6: V. Mazurka
  • Soirées Musicales, Op. 6 – IV. Ballade
  • Soirees Musicales, Op. 6: VI. Polonaise
  • Soirées Musicales, Op. 6 – V. Mazurka
  • Scherzo in D Minor, Op. 10
  • Soirées Musicales, Op. 6 – VI. Polonaise
  • Romance, Op. 22: No. 1, Andante Molto
  • Quatre Pièces Caractéristiques, Op. 5 – IV. Scene Fantastique: Le Ballet Des Revenants
  • Prelude and Fugue in B-Flat Major, Op. 16, No. 2